Feb. 24, 2021
How Frame Rates Help Tell the Director’s Story
Recently, Senior Editor Jim Ferguson and the OutPost team wrapped up post-production for two Frontline programs that aired back-to-back, Iraq’s Assassins and Yemen’s COVID Cover-Up. The filmmakers for both programs were based in the UK, and, as a result, the footage was primarily shot in 25 frames per second progressive (25P). Additionally...